One of the best things about this diverse city is how easy it is to find something to enjoy, even when you’re broke. Here are three of my favourites.
Gardens. – Over 60% of London is green. Strolling through the gorgeous gardens can make you forget about all the problems in the world.
Museums. – London has some of the best museums in the world, and most of them are free to visit unless you wish to see a special exhibition. Recently I had a splendid time at the Tate Modern, enjoying the art by the amazing Rebecca Horn, a pioneer in various fields.
Farmers’ Markets – Being a foodie and being broke is not the best combination. However, I know how to lessen the frustration of not being able to buy expensive ingredients for your cooking or dine in fine restaurants. Last weekend I tasted lots of lovely food and divine cheeses at one of the Farmers’ Markets. Managed to skip dinner that day and my taste buds were happy nonetheless!
It’s Mother’s Day in England and I’d like to use the opportunity to celebrate diversity. There are all kinds of mothers in this world and movies have fortunately portrayed them in various ways. When you look at lists of movies to watch on Mother’s Day, they often list films like Bambi, Aliens, Terminator, Steel Magnolias, Mamma Mia!, The Blind Side, Terms of Endearment, Juno, Beaches or Freaky Friday. Good films, but I’d personally like to add three to the mix.
All About My Mother (Todo Sobre Mi Madre) – Pedro Amodóvar
If you want to catch another Icelander on the silver screen you can go and see Olafur Darri Olafsson in Zoolander 2, and if you want to see more of him, he has a lot bigger role in the brand new TV series Trapped, starting on BBC Four next Saturday. Trapped is the first Nordic Noir series from Iceland shown on BBC.
On top of that, composer Johann Johannsson might get his second BAFTA award for his score for Denis Villeneuve’s film Sicario next Sunday. Last year Johannsson took home a BAFTA for the music he wrote for The Theory of Everything.
Lurking behind the scenes are also two exceptional artists from the island. Heba Thorisdottir is responsible for the excellent make up in Tarantino’s Hateful Eight and Hildur Gudnadottir plays the cello for Iñarritu’sRevenant. There are probably many others I don’t know about. Icelanders seem to be everywhere these days.
In October I was granted the honour of interviewing Dame Helen Mirren on the red carpet at the European premiere of TRUMBO, directed by Jay Roach. Bryan Cranston gave a cracking performance as Dalton Trumbo, the Hollywood screenwriter who was blacklisted after refusing to testify in the House Committee on Un-American Activities in 1947. Mirren is great in the role of Hedda Hopper, the infamous and nasty gossip columnist.
Being one of the reporters on the carpet is sort of mad; desperately trying to get the movie stars to notice you and answer your questions. More than half of these reporters go home empty handed. Before I knew it, I was telling Helen Mirren that it was the first time Icelandic TV had a reporter on the red carpet for a film event of that scale. Her attention was caught, and I asked her whether she thinks films can influence people and send dangerous messages.
The British Film Institute National Archive is brilliant and it’s possible to watch quite a lot of old films online. I’ve watched many precious clips from British film history, like this kiss from 1899. It’s the earliest film kiss held by the BFI National Archive.
‘This story derives from a popular magic lantern slide show and shows a couple in a railway carriage, going into a dark, Freudian tunnel, taking the opportunity to steal a kiss. As the train emerges into the light the couple move apart in a guilty fashion, and although scarcely enough to make your Victorian grandmother blush, it gives the scene its slight frisson of naughtiness. (Bryony Dixon)’
BFI – London Film Festival is almost over. It’s been fantastic! I can’t decide which film is my favourite, but there are a few I love and some I thoroughly enjoyed watching.
Suffragette is the film I’d been waiting for like a kid waits for Christmas. I wasn’t disappointed, it’s a really good movie and I loved it. Another film I loved is Carol by Todd Haynes with Cate Blanchett and Rooney Mara in the leading roles. It’s a brilliant movie. The Lady in the Van will perhaps be too theatrical for some viewers, but I loved it. Watching the fine acting of Dame Maggie Smith and Alex Jennings was a pleasure and I can say the same about Lily Tomlin, starring in that clever little film Grandma. She’s such a good actress and I enjoyed the film. Trumbo was good, not a perfect film but enjoyable. Great actors again, Bryan Cranston, Helen Mirren and John Goodman.
This morning I had the pleasure of watching the film Suffragette by director Sarah Gavron, written by Abi Morgan.
Suffragette is a drama that tracks the story of the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality – their jobs, their homes, their children and their lives. Maud was one such foot soldier. The story of her fight for dignity is as gripping and visceral as any thriller, it is also heart-breaking and inspirational.
I thoroughly enjoyed the film and think it’s fantastic. The cast couldn’t be better; Carey Mulligan is captivating in the leading role of Maud Watts and all the other actors are brilliant. Suffragette is beautifully shot and the set design is perfect. I’ve read reviews by men saying they had difficulties connecting to the film emotionally. They claim that something is lacking in the storyline and the film is too feminist. I don’t understand those remarks and neither did three women I talked to after the press screening. We were all moved by the story and had tears in our eyes.
Meryl Streep plays the role of Emmeline Pankhurst and has been promoting the film, even though she only has one scene. At a press conference this morning she spoke about the need for more female movie critics, and it made me think it’s perhaps not strange how often I don’t agree on which films stand out, or should get more recognition. She said:
‘I went deep, deep, deep, deep into Rotten Tomatoes and I counted how many contributors there were, critics and bloggers and writers. And of those allowed to rate on the Tomatometer, there are 168 women. And I thought, ‘that’s absolutely fantastic.’ If there were 168 men, it would be balanced. If there were 268 men, it would unfair but I’d get used to it. If there were 368, 468, 568…. Actually there are 760 men who weight in on the Tomatometer.’
Meryl also went on the New York Film Critics’ website and found that there were 37 men and only two women.
‘The word isn’t ‘disheartening,’ it’s ‘infuriating.’ I submit to you that men and women are not the same. They like different things. Sometimes they like the same things, but their tastes diverge. If the Tomatometer is slided so completely to one set of tastes, that drives box office in the U.S., absolutely.’
‘Stuck on the cusp of adolescence and adulthood, forty-something Fúsi still lives at home with his mother, eats the same food week after week, works a mundane job and stoically absorbs all the shit that life throws at him. A morbidly obese, black-metal-loving, dishevelled giant of a man, Fúsi’s shyness and lack of confidence has resulted in his having little to no romantic experience with women. A backhanded gift of line dancing classes leads to an encounter with the vivacious but damaged Sjöfn.’ – Sarah Lutton
These days I’m attending the press screenings ahead of the BFI London Film Festival. The Icelandic film Virgin Mountain by Dagur Kári Gunnarsson is one of the movies that delegates from the press and the film industry got to see today. The film will be screened twice at the festival, on the 8th and the 10th of October. When the press screening of Virgin Mountain was over I was lucky enough to get three people from the audience to share their thoughts with me.
Director: Dagur Kári Producers: Baltasar Kormakur, Agnes Johansen, Bo Ehrhardt, Mikkel Jersin Screenwriter: Dagur Kári With; Gunnar Jónsson, Ilmur Kristjánsdóttir, Sigurjón Kjartansson Iceland-Denmark 2015 94 mins Sales BAC Films
The winner was awarded a £2,000 prize and this is what the jury had to say about Rainbow Party: ‘We felt it was brilliantly-performed and incredibly well-crafted, with excellent casting. It is rare to see teenage sexuality so bravely and intelligently interrogated.’
London Calling. BFI. 10/9/2015. Photo from their website.
The film was produced with production funding from Film London, amongst others. Eva Sigurdardottir (director/writer/producer) and Ragnheidur Erlingsdottir (producer) attended the London event at the BFI.
Eva’s production company, Askja Films, has many interesting projects in development, like the documentary The Hot Tub I told you about in June.
‘Eva Sigurdardottir is a BAFTA nominated Film Producer who is based between Reykjavik, Iceland and London, England. Eva’s Producer credits include the BAFTA nominated short film Good Night (2012), as well as Red Reflections (2014), The Substitute (2014), and Foxes (2014). Eva also Line Produced the feature film Rams (2015) by Grímur Hákonarson which premiered at the Festival de Cannes in the Un Certain Regards section and won the prestigious award.
Upcoming projects include the feature film Heartstone (dir: Guðmundur Arnar Guðmundsson) with Join Motion Pictures, which is due to shoot in the autumn of 2015. Short films in production include Salvation (dir: Thora Hilmarsdottir), the short documentary Hot Tub (dir: Harpa Fönn Sigurjónsdóttir) and Rainbow Party (dir: Eva Sigurdardottir). Eva is also currently developing a range of feature film projects with the directors that she nurtured through short films as well as with new talent.
Eva studied Television Production at the University of Westminster in London, graduating with a first class honours degree in 2008. Since graduating Eva has worked on shorts and feature films, and has travelled the world self-shooting a documentary series on world religions. Eva worked at the BBC for three years, specializing in children’s animation, acquisitions and drama. Later she worked as the Production Manager of the Film & Photography department at the charity Save the Children. Currently Eva is working as a Film Producer in Iceland and the UK for her company Askja Films, as well as she is employed at Netop Films as a Producer and Project Manager. Her work at Netop Films include Line Producing the feature film Rams (2015) by Grímur Hákonarsson and the feature documentary Óli Prik (2015) by Árni Sveinsson.’
In a sunny and warm Italy the highly anticipated film Everest opened the Venice Film Festival yesterday. The last two films to open the festival were Gravity in 2013 and Birdman last year. Everest is made by the only Icelandic director ever to make Hollywood blockbusters, Baltasar Kormakur.
The film is based on a true story of a climbing expedition on Mt. Everest, that is devastated by a severe snow storm. The film has already gotten several reviews. Time Out praised the ‘astonishing’ craft of Kormakur’s 3-D spectacular and The Hollywood Reporter called the movie ‘gripping and immersive’. Peter Bradshaw from Guardian is not as content and says it’s a ‘thriller that’s light on thrills’. Variety and ScreenDaily have also published their reviews.
Kormakur is born on the 27th of February to an Icelandic mother, Kristjana Samper, and a Spanish father, Baltasar Samper, both respected artists in Iceland. Baltasar Kormakur started out as an actor and became well-known at a young age, but found passion in directing early on and has since staged plays, directed films and has recently added TV to the equation. Furthermore, he is a very productive producer. You can read about his body of work here and I personally recommend this interview and this one.
Then there are trailers for some of his films. First up is 101 Reykjavik, his directorial debut.
White Night Wedding is loosely based on the play Ivanov by Anton Chekhov. Baltasar also directed the play at the National Theatre of Iceland.