Suffragette |

Cate Blanchett, Maggie Smith and Alan Bennett

12079780_10153090086422124_355767851808785471_o BFI – London Film Festival is almost over. It’s been fantastic! I can’t decide which film is my favourite, but there are a few I love and some I thoroughly enjoyed watching.

Suffragette is the film I’d been waiting for like a kid waits for Christmas. I wasn’t disappointed, it’s a really good movie and I loved it. Another film I loved is Carol by Todd Haynes with Cate Blanchett and Rooney Mara in the leading roles. It’s a brilliant movie. The Lady in the Van will perhaps be too theatrical for some viewers, but I loved it. Watching the fine acting of Dame Maggie Smith and Alex Jennings was a pleasure and I can say the same about Lily Tomlin, starring in that clever little film Grandma. She’s such a good actress and I enjoyed the film. Trumbo was good, not a perfect film but enjoyable. Great actors again, Bryan Cranston, Helen Mirren and John Goodman.

Other films I’d like to recommend are; The Here After (Efterskalv) by Magnus von Horn, the documentaries Ingrid Bergman in Her Own Words and He Named me Malala and finally the dark and twisted Men & Chicken (Mænd & høns).

Finally, here’s some interesting and entertaining words from the stars. Sorry about the bad quality of the recording.

First up, Cate Blanchett reflecting on better roles for women in films.

Dame Maggie Smith was asked if she’d gone method for the role of Miss Shepherd.

Alan Bennett and Maggie Smith on ageing.

Cate Blanchett was asked if she thought it would have mattered if Carol was made 5-10 years ago.

Meryl the Suffragette

12091187_10206531030888599_2629639756224094965_o This morning I had the pleasure of watching the film Suffragette by director Sarah Gavron, written by Abi Morgan.

Suffragette is a drama that tracks the story of the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality – their jobs, their homes, their children and their lives. Maud was one such foot soldier. The story of her fight for dignity is as gripping and visceral as any thriller, it is also heart-breaking and inspirational.

I thoroughly enjoyed the film and think it’s fantastic. The cast couldn’t be better; Carey Mulligan is captivating in the leading role of Maud Watts and all the other actors are brilliant. Suffragette is beautifully shot and the set design is perfect. I’ve read reviews by men saying they had difficulties connecting to the film emotionally. They claim that something is lacking in the storyline and the film is too feminist. I don’t understand those remarks and neither did three women I talked to after the press screening. We were all moved by the story and had tears in our eyes.

Meryl Streep plays the role of Emmeline Pankhurst and has been promoting the film, even though she only has one scene. At a press conference this morning she spoke about the need for more female movie critics, and it made me think it’s perhaps not strange how often I don’t agree on which films stand out, or should get more recognition. She said:

‘I went deep, deep, deep, deep into Rotten Tomatoes and I counted how many contributors there were, critics and bloggers and writers. And of those allowed to rate on the Tomatometer, there are 168 women. And I thought, ‘that’s absolutely fantastic.’ If there were 168 men, it would be balanced. If there were 268 men, it would unfair but I’d get used to it. If there were 368, 468, 568…. Actually there are 760 men who weight in on the Tomatometer.’

Meryl also went on the New York Film Critics’ website and found that there were 37 men and only two women.

‘The word isn’t ‘disheartening,’ it’s ‘infuriating.’ I submit to you that men and women are not the same. They like different things. Sometimes they like the same things, but their tastes diverge. If the Tomatometer is slided so completely to one set of tastes, that drives box office in the U.S., absolutely.’

Suffragette opens the BFI – London Film Festival 2015 tonight.