08 Feb

Icelanders Lurking Everywhere?

11935166_10207271089349598_2445425891364538170_oLast spring I wrote about the splendid Icelandic indie film Rams, by Grimur Hakonarson, when it got the ‘Certain Regard’ prize at the Cannes Film Festival. Since then it has gotten several other awards and brilliant reviews. Rams is showing in UK Cinemas now.

If you want to catch another Icelander on the silver screen you can go and see Olafur Darri Olafsson in Zoolander 2, and if you want to see more of him, he has a lot bigger role in the brand new TV series Trapped, starting on BBC Four next Saturday. Trapped is the first Nordic Noir series from Iceland shown on BBC.

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There are several directors working on the series, amongst them the director of Everest, Baltasar Kormakur. You can read about him in my blog from the beginning of September. Another is Baldvin Z, director of Life in a Fishbowl, which screened at the East End Film Festival last summer. Tim Evans was kind enough to share his thoughts on the film with me.

There’s another Icelander showing his skills on British TV these days. Gisli Orn Gardarsson plays Breca in Beowulf: Return to the Shieldlands. The fantasy drama is on ITV Sunday nights at 7pm. Gardarsson is also known as the theatre director of Vesturport.

On top of that, composer Johann Johannsson might get his second BAFTA award for his score for Denis Villeneuve’s film Sicario next Sunday. Last year Johannsson took home a BAFTA for the music he wrote for The Theory of Everything.

Lurking behind the scenes are also two exceptional artists from the island. Heba Thorisdottir is responsible for the excellent make up in Tarantino’s Hateful Eight and Hildur Gudnadottir plays the cello for Iñarritu’s Revenant. There are probably many others I don’t know about. Icelanders seem to be everywhere these days.

 

 

20 Jul

Clockworking

Nordic affectThese days I’m spellbound by a piece of music called Clockworking. I find myself playing it over and over again. Its rhythmical repetitions leave me in a calm, almost hypnotised state, but at the same time the music seems to tickle the brain until my imagination runs riot. It’s captivating. I like to listen to music that affects me like this when I’m writing and it has made me think of how one form of art can help create something completely different.

Clockworking is the title track of a new album from Nordic Affect, an incredibly talented quartet of women, comprised of Halla Steinunn Stefánsdóttir on violin, Guðrún Hrund Harðardóttir on viola, Hanna Loftsdóttir on cello and Guðrún Óskarsdóttir on harpsichord. The track was composed for violin, viola, cello and electronics by María Huld Markan Sigfúsdóttir, who is perhaps best known for her work with amiina.

Since its foundation in 2005, Nordic Affect has combined new compositions with the music of the 17th and 18th century. This comes as a natural reaction to the vibrant musical life of Iceland, where music from ancient manuscripts is being rediscovered at the same time as new compositional computer software is being developed.

The new album is released July 31st and it features the music of five Icelandic female composers – Anna Þorvaldsdóttir, Hildur Guðnadóttir, María Huld Markan Sigfúsdóttir, Hafdís Bjarnadóttir, and Þuríður Jónsdóttir. The album was recorded by Georg Magnússon at The Icelandic National Broadcasting Service, with mastering and post-production by Valgeir Sigurðsson. Clockworking will be released on the Sono Luminus label which is entering an exciting new phase with the appointment of CEO Collin J Rae.

Nordic Affect’s website (it is down at the moment, but will be up tomorrow)

Nordic Affect’s Facebook